I Puritani

by Vincenzo Bellini
  • May 2017
    18
    Thursday
    19:00 > 22:00
    3 hours
  • May 2017
    21
    Sunday
    19:00 > 22:00
    3 hours

Vincenzo Bellini's last opera is a bel canto manifesto, its various musical numbers displaying a diversity of tone that is unparalleled in the repertoire of the style. The reason the work does not feature more frequently on the programmes of opera houses is that it is difficult to find singers blessed with the requisite extraordinary abilities to take on the principal roles. On this occasion, however, there is no such obstacle. Taking to the stage in the main female role is Jessica Pratt, a much sought-after performer in the most demanding bel canto roles who regularly appears in the prestigious opera houses of Milan, Zurich, Vienna, Venice and London, and has played the part of Elvira with great success for years. Francesco Demuro is a likewise perfect choice for Lord Arthur Talbot, a part that ventures into the almost unthinkably high regions of the tenor's register, even above the high C. Born in Sardinia, the tenor is an expert and globally acclaimed portrayer of the roles of full-blooded, amorous youths in the bel canto repertoire, travelling the world from La Scala to New York's Metropolitan Opera in the roles of Alfredo in La Traviata, the Duke in Rigoletto and Rodolfo in La Bohème. The conductor for the evening, Riccardo Frizza, made his debut in 2001, and has the 19th century Italian opera style running through his veins. One critic described his interpretation as "totally convincing, conducting his forces with both strength and gentleness, but always supporting the singers.”

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I Puritani

Cast

The Composition

I Puritani

Libretto written in italian by Carlo Pepoli, was first premiered on a Sunday on January 25 of 1835

Vincenzo Bellini

Short biography of the composer
Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was an Italian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before' " A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian bel canto era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much admired by other composers as he was by the public. Verdi raved about his "long, long, long melodies ..." Wagner, who rarely liked anyone but himself, was spellbound by Bellini's almost uncanny ability to match music with text and psychology. Liszt and Chopin professed themselves fans. Of the 19th-century giants, only Berlioz demurred. Those musicologists who consider Bellini to be merely a melancholic tunesmith are now in the minority. In considering which of his operas can be seen to be his greatest successes over the almost two hundred years since his death, Il pirata laid much of the groundwork in 1827, achieving very early recognition in comparison to Donizetti's having written thirty operas before his major 1830 triumph with Anna Bolena. Both I Capuleti ed i Montecchi at La Fenice in 1830 and La sonnambula in Milan in 1831 reached new triumphal heights, although initially Norma, given at La Scala in 1831 did not fare as well until later performances elsewhere. "The genuine triumph" of I puritani in January 1835 in Paris capped a significant career. Certainly, Capuleti, La sonnambula, Norma, and I puritani are regularly performed today. After his initial success in Naples, most of the rest of his short life was spent outside of both Sicily and Naples, those years being followed with his living and composing in Milan and Northern Italy, and—after a visit to London—then came his final masterpiece in Paris, I puritani. Only nine months later, Bellini died in Puteaux, France at the age of 33.

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Gianluca Macheda

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Stefania Ramacciotti

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