È strano! È strano!
in core scolpiti ho quegli accenti!
Sarìa per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva.
Oh, gioia
ch'io non conobbi
esser amata amando!
E sdegnarla poss'io
per l'aride follie dei viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti.
Lui, che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese
destandomi all'amor!
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor.
Follie! Delirio vano è questo!
Povera donna, sola, abbandonata
in questo popoloso deserto
che appellano Parigi
che spero or'più?
Che far degg'io?
Gioire!
Di voluttà ne' vortici perir!
Gioir'!
Sempre libera degg'io
folleggiare di gioia in gioia
vo' che scorra il viver mio
pei sentieri del piacer
nasca il giorno, o il giorno muoia
sempre lieta ne' ritrovi
a diletti sempre nuovi
dee volare il mio pensier
Follie! Follie delirio vano e' questo!
Povera donna, sola, abbandonata
in questo popoloso deserto
che appellano Parigi
che spero or' piu'?
che far degg'io!
Gioire!
Di volutta' nei vortici perire.
Sempre libera degg'io
folleggiare di gioia in gioia
vo' che scorra il viver mio
pei sentieri del piacer
nasca il giorno, o il giorno muoia
sempre lieta ne' ritrovi
a diletti sempre nuovi
dee volare il mio pensier
Giuseppe Verdi
Short biography of the composer
Giuseppe Fortunino Francesco Verdi (9 or 10 October 1813 – 27 January 1901) was an Italian opera composer.
Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.
In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).
His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata, and the bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.
Jessica has also performed in the following operas from the same composer: