Norma

by Vincenzo Bellini

Opera di Firenze http://www.operadifirenze.it

Florence, Italy
  • March 2025
    09
    Sunday
    17:00 > 19:55
    2 hours and 55 minutes
  • March 2025
    11
    Tuesday
    20:00 > 22:55
    2 hours and 55 minutes
  • March 2025
    14
    Friday
    20:00 > 22:55
    2 hours and 55 minutes
  • March 2025
    16
    Sunday
    15:30 > 18:25
    2 hours and 55 minutes

Not available in English
Reduce dai successi della Sonnambula, nel 1831 Vincenzo Bellini è chiamato a comporre l’opera inaugurale per la nuova stagione scaligera di Carnevale. Il soggetto scelto dal compositore e dal librettista Felice Romani è Norma, ou L’infanticide, tragedia in cinque atti di Louis-Alexandre Soumet, rappresentata con successo nell’aprile dello stesso anno a Parigi. La scelta è dettata non solo dagli elementi di sicuro effetto teatrale già presenti nel dramma - ambientazione storica nella Gallia di epoca romana, due donne rivali in amore, un voto tradito, un infanticidio solo ventilato (nella versione operistica), un finale catartico con il sacrificio di Norma e Pollione riuniti nella morte - ma anche dall’incredibile cast vocale su cui Bellini può contare per quella stagione. Al suo debutto, il 26 dicembre 1831, Norma vede infatti riunite sul palco due voci femminili di primaria grandezza: il soprano Giulia Grisi nel ruolo di Adalgisa, la giovane ministra del tempio inconsapevole rivale di Norma, e Giuditta Pasta, prima donna dall’ugola strepitosa capace di spaziare dalla tessitura del contralto a quella di soprano, nei panni della fiera sacerdotessa dei druidi tradita da Pollione. Dopo la tiepida accoglienza iniziale, Norma diventerà una delle opere più amate dell’Ottocento, tanto per le lunghissime e incantevoli melodie quanto per gli straordinari momenti di potenza di declamazione, molto ammirati anche da illustri colleghi come Rossini, Verdi e Wagner.

Find out more about the Cast , the Composition , the Composer

Norma

Cast

The Composition

Norma

Libretto written in italian by Felice Romani, was first premiered on a Monday on December 26 of 1831
Jessica has already performed in this opera for:

Vincenzo Bellini

Short biography of the composer
Vincenzo Salvatore Carmelo Francesco Bellini (3 November 1801 – 23 September 1835) was an Italian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before' " A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian bel canto era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much admired by other composers as he was by the public. Verdi raved about his "long, long, long melodies ..." Wagner, who rarely liked anyone but himself, was spellbound by Bellini's almost uncanny ability to match music with text and psychology. Liszt and Chopin professed themselves fans. Of the 19th-century giants, only Berlioz demurred. Those musicologists who consider Bellini to be merely a melancholic tunesmith are now in the minority. In considering which of his operas can be seen to be his greatest successes over the almost two hundred years since his death, Il pirata laid much of the groundwork in 1827, achieving very early recognition in comparison to Donizetti's having written thirty operas before his major 1830 triumph with Anna Bolena. Both I Capuleti ed i Montecchi at La Fenice in 1830 and La sonnambula in Milan in 1831 reached new triumphal heights, although initially Norma, given at La Scala in 1831 did not fare as well until later performances elsewhere. "The genuine triumph" of I puritani in January 1835 in Paris capped a significant career. Certainly, Capuleti, La sonnambula, Norma, and I puritani are regularly performed today. After his initial success in Naples, most of the rest of his short life was spent outside of both Sicily and Naples, those years being followed with his living and composing in Milan and Northern Italy, and—after a visit to London—then came his final masterpiece in Paris, I puritani. Only nine months later, Bellini died in Puteaux, France at the age of 33.
Jessica has also performed in the following operas from the same composer:

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