Il Castello di Kenilworth

by Gaetano Donizetti
  • November 2018
    21
    Wednesday
    18:00 > 21:00
    3 hours
  • November 2018
    24
    Saturday
    20:30 > 23:30
    3 hours
  • November 2018
    30
    Friday
    20:30 > 23:30
    3 hours
  • November 2018
    02
    Friday
    15:30 > 18:30
    3 hours
Find out more about the Cast , the Composition , the Composer

Il Castello di Kenilworth

Cast

The Composition

Il Castello di Kenilworth

Libretto written in italian by Andrea Leone Tottola, was first premiered on a Monday on July 06 of 1829
Not available in English
Il castello di Kenilworth (detto anche Elisabetta al castello di Kenilworth) è un'opera in tre atti di Gaetano Donizetti su libretto di Andrea Leone Tottola, tratto dal romanzo Kenilworth di Walter Scott, che trasse ispirazione dal tragico destino della nobile inglese Amy Robsart, e da Leicester, ou Le château de Kenilworth, opéra-comique di Eugène Scribe (1823). È la prima delle tre opere del compositore ad avere come protagonista la regina Elisabetta I d'Inghilterra: le altre sono Maria Stuarda (1834) e Roberto Devereux (1837). A sua volta, anche Daniel Auber compose un'opera sullo stesso soggetto, Leicester, ou Le château de Kenilworth (1823), dal romanzo Kenilworth di Walter Scott. La prima rappresentazione de Il castello di Kenilworth ebbe luogo al Teatro San Carlo di Napoli il 6 luglio 1829, in occasione dei festeggiamenti per il compleanno della regina Maria Isabella di Borbone-Spagna: il cast vedeva la presenza, tra gli altri, anche del celebre tenore Giovanni David. L'anno successivo l'opera andò in scena sempre al San Carlo, con il titolo Elisabetta al castello di Kenilworth, e la parte tenorile di Warney riscritta per baritono.

Gaetano Donizetti

Short biography of the composer
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) along with Gioachino Rossini and Vincenzo Bellini, was a leading composer of the bel canto opera style during the first half of the nineteenth century. Born in Bergamo in Lombardy, was taken, at an early age, under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione. Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas. Before 1830, success came primarily with his comic operas, the serious ones failing to attract significant audiences. However, his first notable success came with an opera seria, Zoraida di Granata, which was presented in 1822 in Rome. In 1830, when Anna Bolena was premiered, Donizetti made a major impact on the Italian and international opera scene and this shifted the balance of success away from primarily comedic operas, although even after that date, his best-known works included comedies such as L'elisir d'amore (1832) and Don Pasquale (1843). Significant historical dramas did appear and became successful; they included Lucia di Lammermoor (the first to have a libretto written by Salvatore Cammarano) given in Naples in 1835, and one of the most successful Neapolitan operas, Roberto Devereux in 1837. Up to that point, all of his operas had been set to Italian libretti. Donizetti found himself increasingly chafing against the censorial limitations which existed in Italy (and especially in Naples). From about 1836, he became interested in working in Paris, where he saw much greater freedom to choose subject matter, in addition to receiving larger fees and greater prestige. From 1838 onward, with an offer from the Paris Opéra for two new works, he spent a considerable period of the following ten years in that city, and set several operas to French texts as well as overseeing staging of his Italian works. The first opera was a French version of the then-unperformed Poliuto which, in April 1840, was revised to become Les martyrs. Two new operas were also given in Paris at that time. As the 1840s progressed, Donizetti moved regularly between Naples, Rome, Paris, and Vienna continuing to compose and stage his own operas as well as those of other composers. But from around 1843, severe illness began to take hold and to limit his activities. Eventually, by early 1846 he was obliged to be confined to an institution for the mentally ill and, by late 1847, friends had him moved back to Bergamo, where he died in April 1848.
Jessica has also performed in the following operas from the same composer:

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