Financial Times
Shirley Apthorp
Rossini Opera Festival, Pesaro, Italy – review
But it is Michael Spyres and Jessica Pratt, in the rival roles of Aureliano and Zenobia, who send the audience wild. This is what Italians really come to the opera for – exquisite singing, and to hell with everything else.
As the Syrian queen, Pratt spins a knock-’em-dead coloratura line, bringing the house down with her Queen-of-the-Night-style first-act aria. Still young, and largely unknown outside Italy, the Australian soprano has full, creamy heights, fleet vocal athleticism, musical intelligence, a clear relationship to the text, and a towering stage presence.